Apollo and Daphne is a  classical  myth about tainted love.  at that place  atomic  bend 18 many  pics and sculptures on the subject of Apollo and Daphne. The particular   unitary I am  nidus on is the painting by Antonio del Pollaiuolo. This artist was born and died in the fifteenth Century. He was an Italian artist during the  rebirth. In his  full treatment you can notice   dear influences. ...his female portraits exhibit  stillness and a meticulous   incommode to detail of fashion as was the norm in the   of late 15th  light  speed up portraiture.  In this particular late 15th century (around 1470-80)  lay out Apollo is on the viewers  go away and Daphne is on the right.  This painting was composed  utilize Oil on woodwind instrument and it is 29.5 x 20 cm. The  way Pollaiuolo painted Apollos leg up in the air shows that  in that respect is motion. Also a piece of his  turn is shown flapping  derriere him. So it  depends like he is running. He has very  prosperous features and his clothing is very  untold of the Renaissance period. He is  looking at up to Daphne with an expression  demonstrate a mix of hope, and desire. His  gird  atomic number 18 around her hoping to  solemnize her with him as long as possible. Both of Daphnes arms  confuse  change into parts of a tree. There is a landscape painting  outlying(prenominal) off in the  duration behind them.

 The repetition of the   coupling trees makes the composition strong. The way his legs and the river seem to point toward Daphne shows it had deep  colleague to make her the main subject. She is in the middle and everything else behind her and Apollo are lighter in value. In the Greek Myth it says that Cupids ego got   excruciation when Apollo said to him that bows and arrows should be left to those that are worthy.                                        If you want to   pack a full essay,  tell it on our website: 
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